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New and utterly fantastic – Whitson’s Super Adhesion Primer

Made from natural soya alkyd with a small PU content, Whitson’s is a water based, no fuss primer designed to give high adhesion to factory finished kitchens, cabinetry and problem substrates. It will allow you to easily transform any existing painted or sealed surface without hours of preparation and with no unpleasant smell. This Super-Adhesion Primer can be applied directly to tiles, plastic and melamine as well as high lacquer surfaces.

The primer was developed by Cait Whitson and Gibson Donaldson from Carte Blanche Decorative Painters (http://www.decoratescotland.com/) who are Specialist Painters and Decorators with over 30 years’ experience. One of their specialities is transforming cabinetry and furniture. Whitson’s Ltd came about when they had the opportunity to join forces with a really great formulations chemist, Nick Dubbels, who was the catalyst to allow them to invent products that helped solve problems – they are the painters making paint for painters!!!

Cait and Gibson were so frustrated over the years with what they had to work with to re-vamp kitchens, furniture, factory finished doors and contract materials like veneers, foils, melamine etc. that they decided to develop their own product.  What they found was that the products on the market that were nice to use, water based with easy clean up didn’t work very well; and while there were ones that worked very well, those were smelly, sticky, difficult to get a good finish with, expensive and ruined brushes!

They wanted something that worked brilliantly, flowed nicely, didn’t affect your health, taint food or leave a home or commercial project smelling terrible. After much research and development, Whitson’s Superior Adhesion Primer was the result! It adheres to many problem substrates – oil based paints, varnishes, plastics and tiles.

Is there anything it doesn’t do? Well there are no particular stain blocking properties; it is designed for interior use – however it can be used outdoors as long as it is not applied in humid or cold weather which will have a delayed effect on drying and curing. Of course testing before working on an unknown substrate is advised.

“This primer is the best adhesion primer we have ever used. Fantastic Cait & to be water based is amazing. Brilliant work!”

Henry Van Der Vijver and the HVArt team give the Whitson’s Superior Adhesion Primer a massive thumbs up!

Makeover using the Whitsons Super Adhesion Primer

Fireplace transformation – painted by Gibson Donaldson of Carte Blanche Decorative Painters

This fireplace was varnished pine and composite moulding and was very shabby. The client was looking for a makeover and wanted it to match her fabulous new radiators in antiqued pewter.

It needed a thorough sand before applying a coat of Whitson’s Superior Adhesion Primer. With it’s great coverage and superior adhesion the fireplace barely needed sanding before the next phase. Once the primer was dry it was caulked and filled as necessary and then a coat of Liquid Metal Acrylic – Warm Platinum was painted over the whole surface. As an aside,  if you want to work with metallic paints and brush apply them then you need the right brushes, there are special ones specifically for the Liquid Metal Acrylic paint and they are more expensive than other, cheaper general purpose paint brushes but they are well worth having.

Liquid Metal Acrylics - Warm Platinum

Liquid Metal Acrylics – Warm Platinum

Liquid Metal Acrylics - Graphite

Liquid Metal Acrylics – Graphite

Liquid Metals are dry very quickly and can be recoated in a short period of time. After the first coat Gibson did a quick dry brush over all the high spots that will be revealed after second coat just to solidify the coverage. Then a coat of Liquid Metal Acrylic – Graphite was applied. Gibson masked off the detail and stippled it and then with a damp cloth pad wiped off the high spots to reveal the colour below. Then he painted the flats with the Liquid Metal Acrylic Brushes, wiping back only the edges of the contours.

Then once dry he used a patinating fluid – he made this using General Finishes Black Glaze Effects and a bit of Extender. This glaze dries fast so for this small project it was perfect, the glaze was stippled on and then wiped off with a soft cloth. This left the glaze in the crevices, lending more definition to the carving and enhancing the effect of the highlights. Once dry a coat of Robersons Universal Lacquer was applied over the whole of the fireplace to protect it.

Glaze Effects - Pitch Black over white paint

Glaze Effects – Pitch Black over white paint

Glaze Effects - Pitch Black

Glaze Effects – Pitch Black

Robersons Universal Lacquer Range

Robersons Universal Lacquer Range

And after four visits of varying lengths we have this finished result and a delighted customer!

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